For musically minded individuals, guitars are over just a way to play songs like Oh My God Tabs & Chords – they’re an object of pride meant to be displayed prominently in their interior. “Good pictures are really important”, Alexander tells us. “Especially in online auctions as you can’t view the guitar face to face before you buy it.”
1. Limit reflections
A glossy finish and chrome elements could also be easy on the eyes, but when you’re trying to capture a guitar on camera, they will pose a true challenge. Both natural light and artificial light are accustomed to positioning the guitar in a very thanks to avoiding any reasonable reflection that will distort the image.
Natural light is best – just ensure it’s not too sunny and bright. And while your camera’s flash option could appear straightforward thanks to getting some extra light into your photo, avoid it in the least time, as you’re likely to finish up within the picture yourself.
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2. Setting & scratches
Always put yourself within the shoes of the customer when photographing your guitar and consider what you’d want to determine. Chances are high that, you’d desire a clear shot of the guitar with an uncluttered background. Alexander shares this opinion: “It’s best to photograph your guitar in a very neutral way, in order that the environment doesn’t distract from the guitar, and its features, damages, and dents may be properly identified. It’s important that the client actually knows what he’s getting.”
To make sure the setting isn’t too distracting, you’ll be able to use what you have already got – a wooden floor and white wall can often be enough. Using sheets or cloths, however, usually won’t achieve the most effective result, as there are often visible folds and shadows. If you wish to require it to the following level and are willing to take a position, a white book backdrop could be a good and comparatively inexpensive option.
3. Sequence
Finally, the order during which you publish the images of your guitar is something that will impact your sales results. Per Alexander, the subsequent picture sequence should be mandatory. “Start with a full shot of the front, a full shot of the rear, then the body front, body back, neck front, neck back, headstock front and back with serial. Then photograph closeups of special characteristics like pickups, tuners, and switches, still as blemishes or damages.” Pick a canopy photo that shows the complete guitar upfront, and you’re prepared.
When it involves quantity, Alexander assures us there are seldom too many pictures. “Make as many photographs as possible. Start with wide shots during which the full guitar is visible fully and so march on on the small print to showcase the guitar’s features.” In response to the question of which features are especially critical to the spotlight, Alexander says “All of them. Soundhole with the label (for acoustics), bridge, pickups, tuners, headstocks, serial numbers–you name it.”